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Sound night, and sounding morning, finishing up the orchestration of Gospel Matthew: XVIII. (through page 9, just kind of run with it); then more Journals mailed, Charles Ives Variations on America (minor Spanish variant), for dictation, board harmony, and keyboard-solfege -- a directed, particularly pleasant class...
More paper grading at the snack bar over a belated breakfast burrito, late coffee with Doug and company, followed by Tritone Orchestra recordings of
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The Gospel According to St. Matthew:
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and
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For My Brother For My Brother:
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6. I Fell In
Exit in the
last light's
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shadows of Martinez Refinery Hill and
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splendors of the Port Costa Range,
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the glow extending from Benicia Bridge and the Sulfur Springs Mountains,
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past Wooded Top
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to the Vaca Ranges, beginning the instrumentalization of XIX. The Twelve, a harvest of Aaron Copland's Appalachian Spring and Stephen Schwartz's Godspell.