Continue producing score and parts for Elijah Ghost: IV and begin the orchestration of Gospel Matthew: XVI. The Tax Collector, then off to DVC for dictation and board harmony of the J.S. Bach Passacaglia in C Minor bass line.
Coffee at the Student Union
across
the Duck
Pond from the
Music
Building, then more EG work and recording
The Gospel According to St. Matthew
XV. The Paralytic (The Blasphemy Trope)
-- 5/8 and 3/4 versions of Gabriel Faure's Pelleas et Melisande (Siciliana) and Pavanne (interior section).
Dinner and paper grading eventually at the corner window table of Taste of the Himalayas (sounds a little alarming, doesn't it?), followed by
San Francisco Cabaret Opera tech rehearsal for the world premiere of British-Netherlandish composer Patrick Dailly's Solidarity (opening September 27 at Berkeley's Live Oak Theatre), finishing EG IV upon return.
