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Yet another orchestrated page of The Gospel According to St. Matthew: X. The Miracles, then out the door for the end of the Costanzo Festa Quando Ritrovna dictation with the Theoreticians, plus fine compositions from Joe and Ross, and Elijah Rock: I, X, XI, and XII.
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In and out of the lab thereafter -- Doug finding us an alternate source of coffee thanks to the Student Union -- finishing orchestration of Miracles and Tritone Orchestra recording same (abstractly inspired by the beginning of Alban Berg's Wozzeck: Act II, Scene 5).
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Home, beginning the composition of Isaiah: Surely He Has Born Our Griefs (yes, another G.F. Handel Messiah trope) and instrumentalizing of Gospel Matthew: XI.