Delighted to find the full score of Felix Mendelssohn's Elijah on the shelves, which avoids a run to UC Davis, and allows the beginning instrumentation of Elijah Rock: I Ouverature before heading out the door for a run at music from William Billings through W.A. Mozart's Symphony No. 40 at St. Mary's and Sting's King of Pain for dictation, harmony, and keyboard-solfege at DVC.
Record with sufficient sound-sources and tempo changes thereafter Solomon: XII. (a trope of George Crumb's Music for a Summer Evening final movement) and the beginning of Elijah.
