Showing posts with label Waiting for Godot. Show all posts
Showing posts with label Waiting for Godot. Show all posts

Thursday, July 30, 2009

July 30 - Last Day First


End of the summer Diablo Valley College semester, with music from Philip Glass and the Beatles to David Byrne, Mark Alburger, Erling Wold, and beyond (the laptop still making sonic objections, but somehow getting through all the entries at markalburgermusichistory.blogspot.com) -- with Ji Su Oh and Hye Su Han respectively playing Johan Pachelbel / George Winston and a 19th-century potboiler. The Pianists take their last quiz -- Baroque harmony, the Igor Stravinsky Firebird excerpt, with varied individual selections including a Ludwig van Beethoven Fur Elise, Harold Arlen Somewhere Over the Rainbow, several Claude Debussy-inspired Ancient Temples and Aaron Coplandesque Gift to Be Simples, Tielheim Susato's Ronde, Taps, and video-game music.



Make an appointment at the Apple Store to have someone look into the noisy fan situation tomorrow, and figure, being far enough south, that it's time to walk the short remaining stretch of the Redwood Trail in the Water District lands adjacent to Moraga, from the intersection of Canyon and Pinehurst Roads to the top of the Redwood Regional Park East Ridge.



Once out of the trees, inclined to stay there, despite the reasonably mild incoming fog, and walk the trail south, which reveals views back to



Moraga, St. Mary's and Rimer Creek Ridges, Upper San Leandro Reservoir,



King Canyon Ridge,



and wild lands even further south.



Out cliffy



Pinehurst Gate onto its



viewful namesake road (featuring the distant cloven Moraga [or is it Gudde?] Ridge), a helpful clinical psychologist who commutes the road twice daily from San Leandro work to area home expresses concern (am dressed more like a distressed motorist than a hiker) -- so, gratefully accept a ride back to point of origin, just for the convenience and serendipity of it all.



A semi-Beckettian not-much-to-be-done upon returning home, save another orchestrated page of Esther Xerxes: X. ARIA E CORO - "Proclamation issued"

Thursday, March 26, 2009

March 26 - Es Is Genug


VLADIMIR:

This is becoming really insignificant.

ESTRAGON:

Not enough.



Finish the orchestration of King David: XIII. The Lamentations of Gilboa, and record that plus



XII. March of David and the Philistines after class.



But first, have to get there, so off we go again to Diablo Valley College Music Theory, for Quiz 10, with excerpts from George Gershwin, Sergei Prokofiev, Anton Webern, and Louis Armstrong. Tutorial with a few students after, including Scott, set up with his reader adjacent to lab computer, which makes for an efficient use of time. Somehow there's also a sufficient interval to take in the sunshine from adjacent to Las Trampas Ridge and



Creek,



before blasting back to Marin, between San Rafael Hill and



San Pedro



Ridge,



over the Pacheco Grade for car maintenance, then home to gather instrumental forces for beginning of KD: XV. Feat Song.

Friday, March 20, 2009

March 20 - What Do We Do Now?


Begin Psalm 57 and the orchestration of King David: IX. Pity!, print up the piano-vocal score of



Sex and Delilah, and head over the



Sulfur Springs Mountains on I-80,



past St. John's Mine Hill,



to where the sun sets



over Marin's



Mt. Tamalpais,



and beyond to Oakland's Paramount Theatre --



an amazing building without and



within --



for a concert by the Oakland East Bay Symphony, featuring principal (and San Francisco Composers Chamber Orchestra) cellist Dan Reiter,



in a concert including Giuseppe Verdi's Otello: Act I, complete with thunder sheet, the review this Sunday at 21st-centurymusic.blogspot.com, and eventually at 21st-centurymusic.com and The Piedmont Post. During intermission, write another page of composition and orchestration of above.