Showing posts with label Peter Paul Rubens. Show all posts
Showing posts with label Peter Paul Rubens. Show all posts

Saturday, July 4, 2009

July 4 - O Se Kan U Si


Awake to the colors of Carson City, Nevada, with



two chairs




for the



red,




white,



and blue;



departing past quaint museums



and



querulous



malcontents,



south to the Sierra,



curving west



up the



semi-arid slopes



to the shores of



Lake Tahoe,



through Cave Rock Tunnel and the Stateline casino gauntlet



to Californian truth-in-advertising coffee.



Re-en(blueberry)sconced, we proceed again, against the flow of traffic,



past checkpoints and



the checkered pointilism of



granitic slopes curving over Echo Summit and




down into views of the



Desolation Wilderness,



with Pyramid Creek at full flow, in the bracing aquamarine sun reflected off of



Yosemite-like



Bald (we can relate) Mountain,



Eagle Rock, and



Sugarloaf, the latter precariously above exotic/downhome Kyburz.



Careening through Placerville's



crosswalks and



canyon



walls, we near



the familiar ridges of home, orchestrating the rest of The Opera of Daniel: VI. The Procession of Darius and beginning to do the same for



VII. The Lions' Den as the rockets' red glare roars all around, thankful for



location, location.

Thursday, April 9, 2009

April 9 - Begging Thursday Cold Comfort


Further orchestration of King David: XXV. Census and Plague, followed by Quiz 12 for the Theoreticians (harmony from the 1960's and 70's) and the lab to finish and record the former, plus KD: XXIV. Rock and Strength.



Decamp anon to U.C. Davis, with two calls to Bette and George, research re G.F. Handel's Solomon, then returning begin orchestration of the analogous (the word always looks suspect), the first movement of which is actually troped instead on Ralph Vaughan Williams's Symphony No. 7 ("Sinfonia Antartica"): V. Epilogue finale, frozen music for an aged King David who can only warm up with the help of a new handmaiden... (Solomon: I. Let's Find a Young Woman).

Friday, April 3, 2009

April 3 - Le Roi s'Amuse


Finish the orchestration of King David: XVIII. Song of Survival (David and Bathsheba),



do same for XIX. Song of Repentance, and begin that of



XX. Passacaglia of Sex and Death, as well as composing Psalm 51: 1-4 (Miserere) and beginning of Psalm 51: 5-19), the latter two as parts of Psalms of David, Op. 172.

Friday, March 20, 2009

March 20 - What Do We Do Now?


Begin Psalm 57 and the orchestration of King David: IX. Pity!, print up the piano-vocal score of



Sex and Delilah, and head over the



Sulfur Springs Mountains on I-80,



past St. John's Mine Hill,



to where the sun sets



over Marin's



Mt. Tamalpais,



and beyond to Oakland's Paramount Theatre --



an amazing building without and



within --



for a concert by the Oakland East Bay Symphony, featuring principal (and San Francisco Composers Chamber Orchestra) cellist Dan Reiter,



in a concert including Giuseppe Verdi's Otello: Act I, complete with thunder sheet, the review this Sunday at 21st-centurymusic.blogspot.com, and eventually at 21st-centurymusic.com and The Piedmont Post. During intermission, write another page of composition and orchestration of above.