Showing posts with label Napa. Show all posts
Showing posts with label Napa. Show all posts

Thursday, August 6, 2009

June 6 - Their Big Marin Wedding


It's the day of Crystal and Christina's ceremony, with Harriet, George, Bette, Sorrel,



seemingly half the choir of First Presbyterian Church San Rafael,


Carolyn's family, grown-up day-care kids, Montessori friends,



a plethora of bridesmaids, and many friendly others for



the main event (officiated by second-cousin John Gill).



Before enlightenment, the chop-wood-carry-water is house-cleaning, car-reorganization, lightbulb replacements, storage-reorganization, barber-stop, tuxedo-purchase, Garbage Ensemble mixes of Job: IV. Why Not Curse God and Die and V. Place a Curse, and Harriet's dash north from San Jose after a job to arrive just in time for us to head back southwest together to



Marin.



After is a return through Jameson Canyon, a phone call to Bette, and four pages of orchestration for



Job: VI. Man Is Born to Suffer".

Thursday, July 9, 2009

July 9 - Fixed and Moveable in the Whole Earth


Music from J.J. Fux



to J.S. Bach in History class, then Quiz 3 for the Pianists, departing for



Brisbane, nestled below



the often-fogblocking northeast slope of San Bruno Mountain, to rendezvous with



Suzanna Mizell and record her Curley's Wife parts in



[Maria Mikheyenko (Lennie)
Suzanna Mizell (Curley's Wife)
Marilyn Pratt (Offstage Soprano)]

Mice Suites, Op. 68



[Suzanna Mizell
Wayne Wong (George)
Maria Mikheyenko
Alexandra Jerinic (Candy)]

V. Breathsong










V. Tartsong I










[Wayne Wong
Erin Lahm (Slim)
Maria Mikheyenko]

VI. Tartsong II









VIII. Dancesong


IX. Deathsong I










X. Deathsong II









XII. Hartsong



Home roundabout via 101 south,



380 west, south of San Bruno;



then north on 280, Skyline through Ft. Funston (where only shreds of fog skirt overhead to gather instead on the San Francisco ridgeline);



the Great Highway towards Seal Rocks, Mt. Tamalpais, the Marin Headlands, Cliff House, and Sutro Heights;



through Richmond, Lincoln Park,



Seacliff, and the Presidio, over the Golden Gate,



up 101 through Marin (the Big Rock Ridge et. al.),



over the Sonoma farmlands of 37 and beyond, where Harriet and another orchestrated page of The Opera of Daniel: VII. The Lions' Den await.

Friday, January 23, 2009

January 23 - Dreaming of Coastal Ghosts


Up at 9am, hoping to leave by 10 to arrive at Lisa Prosek's noonish, dropping off parts (instrumental, that is) for Sex and the Orchestra, Op. 171, but

1. Have to buy new print cartridge, so a Staples run -- taking 1/2 hour.

2. Computer does not recognize replacement (have to haul original out of bin to double check), then try again, and, lo, all is well -- 5 minutes.

3. Sibelius crashes during print of sax parts (no accounting for taste) -- another c. 5 minutes for turnaround, rebooting.

4. Check old computer while new is printing, and all sorts of messages from Bette and S., who have evidently forgotten my cell number -- S. in hospital in Phoenix for c. 2 weeks, so I wish her well -- a welcome 1/3 hour.

5. Updated printer generates darker copies, but much more slowly -- another half...

Out the door by 10:30, but decide parts must be printed at Kinko's, rather than mere printout, so another hour gone.

Call Lisa to let her know I'll be late -- a second message -- phone almost dead from earlier calls + iPod limping along on low battery (ah the trivial challenges), finally blitzing out, and eventually passing the Wine Guy on California 12,


before heading up the grade towards Sonoma.



Several strange turns later,



the corkscrew California 1 canyon of Cheney Gulch (what a name, out in the wheelchair with you... Klinghofferesque?...) leads to



Bodega Bay and harbor,



with the stormy Pacific finally in view north of Salmon Creek.



The sun occasionally pierces through, although seemingly not for the pictures, as the progression of coast ghostlies proceeds beachwise from Miwok




and Arched Rock,



to Carmet (ah, the difference one letter makes... or not...,) shivering in


wraiths of mist.



Housing crowds foolishly and selfishly on the coastside flank of Route One at Gleason Beach (coastal erosion happens), while inland all is open in Scotty Creek Valley, north of which



a spacious, stolid farm looks out at



at a prospect all its own,



just south of



Duncan's Cove



(yet a view free for all -- as opposed to one for, say $15... soon at markalburgerevents.blogspot.com).



The road stays slightly inland of Wrights and



Shell Beach,



becoming a wide coastal terrace at the twin oedipian edifi of Gull Rock and Monadnock,



where, at the Goat Rock turn-off, the Jenner Highlands look down-turned



on the edenic/




semi-surreal lower Russian River Valley at Bridgehaven.



Over the bridge, looking to downstream's seastackish end,



can Jenner



be far away?



Indeed, it looms before us,



and we careen past Muniz ("Mooney's"[?!]) Ranches



to Russian Gulch,



up the somber Jenner Ridge switchbacks,



looking back on this beautiful/crazy coast,



inland to the beckoning Black Mountains backcountry



(violated lovingly by architecturally-splendiferous [and spendiferous] precious got-mines),



mounting the slopes to that childs-drawing of Meyers Grade Road



(look, Mom, here's the road, the trees, the grass, the sky),



to alternative worlds like the one-structure art-barn town of Seaview (independent wealth?),



and far onward to Lisa's



cozy-impressive,



comfy-pianistic spread,



with its corridor view of the Fort Ross coast and



resident raven (looking somewhat Maltese, what?).



After business, chat, and lunch (I've made 5 violin / viola / electric guitar parts and no cello / bass / electric bass ones, but luckily have original printouts), a loop (the only musical one is on the iPod, the four-hours thus far of The Bible [including the Sex parts, or, shall we say, sections...]) is made down to Timber Cove, and Fort Ross's forlorn (certainly today, anyway, and, weatherwise, one supposes, most days) Kuskov House



and moss-encrusted/empathetic Chapel,



up curvaceous Jenner Ridge from the north



to the dark trianglar niches of Mill, Timber,



and Jewell Gulches (indeed, with bovines seemingly adhesively fastened),



yielding heroinic (damselly-drug-induced?) views south



to the the Russian River mouth and Goat Rock.



Last light perspectives- of-new-musical-Muniz-Ranches ridges,



a-terrible-thing-to-be-lonely-alone trees (when so many are lonely),



and the windswept/penetrated sandbar, and it's night (not that it hasn't been pretty all-fired dark all day...) once more (astride a grave...),



with only two more pages (11-12) of Babe Ruth: II. Moabitena to keep alive the mountainous glow.