Showing posts with label Sex and the Orchestra. Show all posts
Showing posts with label Sex and the Orchestra. Show all posts

Saturday, February 28, 2009

February 28 - From Hour to Shining Hour


Up and out for Purcell Dioclesian



(watched over by Durand [the fight coach] and Harriet) /



Alburger Diocletian rehearsal at Chamber Arts, where we begin staging the latter --

Maria Mikheyenko (Edward Gibbon),

Alexandre Jerenic (Diocletian, surrounded by her court of sycophants: Erin Lahm, Robin Costa, Kathrine Cornelius, Annemarie Ballinger, Allison Collins)

Kimberly Anderman (Drusilla)



-- and make an initial press photo plunge with Kim and Alix.




Then we're off to San Francisco, lunching at Thinker's Cafe, before dropping Harriet off at Community Music Center and getting that concert look at Louis' Barber Shop.



Across San Francisco, past Delores Park



and palms,



Bernal Heights and



San Bruno Mountain loom north of Colma, where a score is scored for Sex and the Orchestra.



The San Francisco Composers Chamber Orchestra concert features a full house and excellent performances.

***

SAN FRANCISCO
COMPOSERS CHAMBER ORCHESTRA
Mark Alburger, Music Director

Free-for-All (But for You, $15)

8pm, Saturday, February 28, Old First Church, San Francisco, CA
Mark Alburger, David Sprung, Martha Stoddard, and Erling Wold, conducting

Program

Phil Freihofner - What Are You Going to Dream Tonight

Davide Verotta - Yanitl

John Beeman - Adagio

Gary Friedman - Romance for Wind Sextet

Lisa Scola Prosek - Serenade for Trumpet



David Sprung - Serendipities

Intermission


Erling Wold - Two Orchestral Waltzes for Lynne
I. Ludmilla Waltz
II. Empress Waltz

Mark Alburger - Sex and the Orchestra, Op. 171
I. Happy Funeral Music (The Little Death)
II. Downfall (Detumescence)

Michael Cooke - String Theory

David Graves / Clare Twohy - Fireproof Winds

Loren Jones - February's Children

***


Big fete afterwards at an Italian place in Polk Gulch, then home, contemplating the beginning of the orchestration to Saul! Saul!: X. Author of Peace.

Thursday, February 19, 2009

February 19 - Blossoming Art


Ah spring, when men and women's fantasies turn, as usual, to matters creative, the flowers the flowers blooming unexpectedly, where they will (in this literal case, the corner of Nut Tree Parkway / Orange Drive and Nut Tree Boulevard, against the distant Vaca Mountains / Coast Ranges).



And some of us go on pilgrimage (after beginning the orchestration of Saul! Saul!: VI. Eldest Born of Hell), even if it's only to Diablo Valley College to bestow upon grateful Music Theoreticians Quiz 5 (an explosion of root position triads, with examples of Renaissance and early Baroque Music from Josquin des Pres's El Grillo to Claudio Monteverdi's Vespers of 1610), followed by lab work, as we say, recording S!S!: V. O Lord, how Merciless numb, and a quick wander on the Lafayette-Moraga Trail adjacent to Olympic Boulevard ("O-liva! O-sirus! What has happened to your nose?").



The sunny walk, through an old orchard toward the Las Trampas Ridge terminus




is a short one, from east O.B. trailhead to west, past oaks, sycamores,



and houses perched precariously over L.T. Creek near a lone redwood,



to backward views of both Mt. Diablo peaks.



Back in the car, on Route 24, thrusting through Orinda Canyon,



adjacent to Shakespeare Hill (nicely positioned for the "sidezoomers," acknowledged and appelated by the NYT a while back).



and soon we are over the Bay Bridge, looking north to San Rafael / Richmond span and



south to the San Francisco Peninsula.



The first rehearsal of our San Francisco Composers Chamber Orchestra's Free-for-All (But for You, $15) concert (8pm Saturday, February 28, Old First Church, San Francisco, CA info at sfcco.org and soon at markalburgerevents.blogspot.com) is tonight at Lick-Wilmerding School (courtesy of Marty Stoddard),


itself a work of art and a refection of its surroundings:



the artistry of an SF interface of natural and urbane, including Daly City / San Bruno Mountain to the south,



the distant Oakland Hills and Mt. Diablo to the east beyond 280 and the hubbub hub of Muni,



and the Davidson Cross / Sutro Tower area to the north, beyond chaos of City College.



The evening's rehearsal, in a prehistorically facaded music building, is a full one,



including Davide Verotta's Yanitl (at right, with Erling Wold)



Phil Freihoffner's What Are You Going to Dream Tonight (featuring Clare Twohy, Rachel Condry, the composer, and engaging, evocative electronics),



John Beeman's Adagio and Dance,



Gary Friedman's Romance for Wind Sextet (utilizing several players above, with Marty Stoddard conducting, for the below)



Lisa Scola Prosek's Serenade for Trumpet and Orchestra (with soloist Eduoard Prosek, here with cellist Ariella Hyman),



David Sprung's Serendipities (conducted by the composer)



Erling Wold's Two Orchestral Waltzes for Lynne (ditto)



Mark Alburger's Sex and the Orchestra,




Michael Cooke's String Theory (www.michaelkcooke.com),



the David Graves / Clare Twohy Fireproof Winds,



and Loren Jones's February's Children.



Amazing creativity and diversity upon which to hallucinate while zooming through the Kubrikesque Yerba Buena Tunnel homeward...

Friday, January 23, 2009

January 23 - Dreaming of Coastal Ghosts


Up at 9am, hoping to leave by 10 to arrive at Lisa Prosek's noonish, dropping off parts (instrumental, that is) for Sex and the Orchestra, Op. 171, but

1. Have to buy new print cartridge, so a Staples run -- taking 1/2 hour.

2. Computer does not recognize replacement (have to haul original out of bin to double check), then try again, and, lo, all is well -- 5 minutes.

3. Sibelius crashes during print of sax parts (no accounting for taste) -- another c. 5 minutes for turnaround, rebooting.

4. Check old computer while new is printing, and all sorts of messages from Bette and S., who have evidently forgotten my cell number -- S. in hospital in Phoenix for c. 2 weeks, so I wish her well -- a welcome 1/3 hour.

5. Updated printer generates darker copies, but much more slowly -- another half...

Out the door by 10:30, but decide parts must be printed at Kinko's, rather than mere printout, so another hour gone.

Call Lisa to let her know I'll be late -- a second message -- phone almost dead from earlier calls + iPod limping along on low battery (ah the trivial challenges), finally blitzing out, and eventually passing the Wine Guy on California 12,


before heading up the grade towards Sonoma.



Several strange turns later,



the corkscrew California 1 canyon of Cheney Gulch (what a name, out in the wheelchair with you... Klinghofferesque?...) leads to



Bodega Bay and harbor,



with the stormy Pacific finally in view north of Salmon Creek.



The sun occasionally pierces through, although seemingly not for the pictures, as the progression of coast ghostlies proceeds beachwise from Miwok




and Arched Rock,



to Carmet (ah, the difference one letter makes... or not...,) shivering in


wraiths of mist.



Housing crowds foolishly and selfishly on the coastside flank of Route One at Gleason Beach (coastal erosion happens), while inland all is open in Scotty Creek Valley, north of which



a spacious, stolid farm looks out at



at a prospect all its own,



just south of



Duncan's Cove



(yet a view free for all -- as opposed to one for, say $15... soon at markalburgerevents.blogspot.com).



The road stays slightly inland of Wrights and



Shell Beach,



becoming a wide coastal terrace at the twin oedipian edifi of Gull Rock and Monadnock,



where, at the Goat Rock turn-off, the Jenner Highlands look down-turned



on the edenic/




semi-surreal lower Russian River Valley at Bridgehaven.



Over the bridge, looking to downstream's seastackish end,



can Jenner



be far away?



Indeed, it looms before us,



and we careen past Muniz ("Mooney's"[?!]) Ranches



to Russian Gulch,



up the somber Jenner Ridge switchbacks,



looking back on this beautiful/crazy coast,



inland to the beckoning Black Mountains backcountry



(violated lovingly by architecturally-splendiferous [and spendiferous] precious got-mines),



mounting the slopes to that childs-drawing of Meyers Grade Road



(look, Mom, here's the road, the trees, the grass, the sky),



to alternative worlds like the one-structure art-barn town of Seaview (independent wealth?),



and far onward to Lisa's



cozy-impressive,



comfy-pianistic spread,



with its corridor view of the Fort Ross coast and



resident raven (looking somewhat Maltese, what?).



After business, chat, and lunch (I've made 5 violin / viola / electric guitar parts and no cello / bass / electric bass ones, but luckily have original printouts), a loop (the only musical one is on the iPod, the four-hours thus far of The Bible [including the Sex parts, or, shall we say, sections...]) is made down to Timber Cove, and Fort Ross's forlorn (certainly today, anyway, and, weatherwise, one supposes, most days) Kuskov House



and moss-encrusted/empathetic Chapel,



up curvaceous Jenner Ridge from the north



to the dark trianglar niches of Mill, Timber,



and Jewell Gulches (indeed, with bovines seemingly adhesively fastened),



yielding heroinic (damselly-drug-induced?) views south



to the the Russian River mouth and Goat Rock.



Last light perspectives- of-new-musical-Muniz-Ranches ridges,



a-terrible-thing-to-be-lonely-alone trees (when so many are lonely),



and the windswept/penetrated sandbar, and it's night (not that it hasn't been pretty all-fired dark all day...) once more (astride a grave...),



with only two more pages (11-12) of Babe Ruth: II. Moabitena to keep alive the mountainous glow.