The ASCAP yearly award arrives, which is always nice, just before heading down in the almost-warm beautiful sunshine of windy palms, to the lab to record today's orchestration of
THE PASSION ACCORDING TO ST. MATTHEW, Op. 55
XVII. CHORUS "Who Do You Want to Release"
Also more research re visuals to be used in SEX AND THE BIBLE, Op. 169 -- hey, someone's got to do it. Virtually reality all...
Home, and filling up the Mark Alburger blog (markalburger.blogspot.com), so here's a new one for the year (markalburger2009.blogspot.com).
Have set the former, on this tule-fog first day of the year, as a home page for all the various blogs and websites, and will no doubt move the 2008 account to another site eventually.
Meanwhile, Harriet and I have decided that San Francisco Cabaret Opera's 2010 Fresh Voices Festival, a.k.a. Fresh Voices X, will be the year of the racy, if not XXX. As such, seems appropriate that we should present excerpts from The Bible, Op. 168, as Sex and the Bible: The Opera, Op. 169, a c. two-hour piece, the working selections from various compositions at present being:
Op. 169 SEX AND THE BIBLE: THE OPERA (January 1, 2009)
Act I - GENESIS
1. THE CREATION III. Let the waters be gathered
VI. Let us make man
2. QUARTET FOR THE BEGINNING OF TIME: ADAM AND EVE AND CAIN AND ABEL III. Abyss of Separation IV. Ragtime Intermezzo of Expulsion V. Lounging in an Eternity of Strife carnival catalogue VI. Blues Dance of Fury VII. Fathering Hope VIII. Lounging in Mortality (Baby Boom Boogie-Woogie Begats)
3. NOAH'S FLOOD ("Noah, Noah"): A MYSTERY PLAY I. Wicked Prelude VII. The Flood / Te Deum (The Little Death Raindrops Keep Falling Mainly in Mesopotamia) IX. Rainbow / Te Deum / Postlude
4. BABEL I. And the whole earth II. Behold, they are one III. And the Lord scattered them
5. ABRAHAM AND ISAAC II. The Separation IV. The Covenant / V. The Slave Girl VI. The Circumcision [LOT IN LIFE] VII. The Plea (Lottery) VIII. The Destruction (Lotsa Luck / Parking Lot's Wife / Lotherio) IX. The Deception X. The Birth / The Banishment XI. The Sacrifice / XII. The Burial / XIII. The Wife / XIV. The Death
6. ISRAEL IN TROUBLE I. If It Is Thus III. Eyes Dim IV. Fly Away V. Well, Well, Well, Well, Well VI. Shouldn't Work for Nothing VII. How To Depart VIII. On His Way IX. One Day Dinah X. If It Is Thus
7. AMAZING JOSEPH I. I Had a Dream II. Meanwhile, Judah III. Now the Ishmaelites (Potiphar's Wife) V. Pharaoh Had a Dream VII. Take My Youngest Son VIII. I Am Joseph IX. Now I Can Die
ACT II - EXODUS-JUDGES
8. MOSES AND AARON EXODUS / LEVITICUS (13 Letters and a Postlude) I. Recitative - "And There Arose" II. Barcarolle - "Woman Conceived" III. Battle - "And He Spied" V. Duet - "What Is In Your Hand?" VI. Trio - "Let My People" VII. Nine-Plague Twelve-Tone Passacaglia-Quodlibet - "River Is Blood" IX. Storm/Tempest - "At Midnight" (The Tenth Plague) X. Caccia/Tableau - "And the People Fled" (The Parting of the Red Sea) XI. Duet and Chorus - "Sing to the Lord / Bitter Water" (Songs of Moses and Miriam) XII. Quartet - "Thou Shalt" (The Ten Commandments) XIII. Bacchanale - "This Gold Image" (The Golden Calf) XVI. Postlude - "Be Gone" NUMBERS / DEUTERONOMY (7 Letters) XVII. Ritournello - "Would That We Had Died" XVIII. Interlude - "How Long" (Wander in the Wilderness) XIX. Procession - "Let Us Pass" (Balaam's Ass) XX. Chorus - "There Shall a Star"
9. SAMSON AND DELILAH (THE FRANK JUDGES) Scene 1 - Start I. Digits (Adonibezek) III. Disemblance (Ehud and Eglon) IV. Deborah VI. Downfall (Abimelech) VII. Daughter (Jeptha) Scene 2 - Samson VIII. Death (The Lion) IX. Defeat (The Ass's Jaw) X. Delilah XI. Dagon Scene 3 - Stop XIII. Disunity (The Levite's Concubine)
Mark Alburger (b. 1957, Upper Darby, PA) is an award-winning, eclectic ASCAP composer of postminimal, postpopular, and postcomedic sensibilities. He is Music Director of San Francisco Composers Chamber Orchestra and San Francisco Cabaret Opera / Goat Hall Productions, Editor-Publisher of 21st-Century Music (P.O. Box 2842 San Anselmo, CA 94960) and New Music, Music Critic for Commuter Times, and Instructor in Music Theory and Literature at Diablo Valley College. His principal teachers were Gerald Levinson, Joan Panetti, and James Freeman at Swarthmore College (B.A.); Jules Langert and Ted Blair at Dominican University (M.A.); Roland Jackson at Claremont University (Ph.D.); and Terry Riley. Dr. Alburger has composed 177 major works over the past 35 years, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue is being issued on discs from New Music ($15 / P.O. Box 2842, San Anselmo, CA (707) 451-0714). markalburger.blogspot.com,
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